VFX

259

Scene 11

11A-1 (VFX)

ID 23382

EXT. PERSEPHONE, ORBIT

[The camera follows the AeroFox.]

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Sequence 3

VFX

260

Scene 11

11A-2 (VFX)

ID 23384

[The AeroFox passes in front of the red dwarf.]

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Sequence 3

VFX

261

Scene 11

11A-3 (VFX)

ID 23386

[The AeroFox continues to screen right.]

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Sequence 3

VFX

262

Scene 11

11A-4 (VFX)

ID 23388

In the distance, a bright SOLAR FLARE blasts toward the AeroFox!

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Sequence 3

263

Scene 11

11A (ID5121 Reg)

ID 5136

[Clarke prepare to fire the main engine.]

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Sequence 3

264

Scene 11

11B (New Art)

ID 5138

[Close-up on Clarke’s right hand as she presses the button to engage.]

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Sequence 3

VFX

265

Scene 11

11B-1 (VFX)

ID 5106

The AeroFox fires its main engine again.

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Sequence 3

VFX

266

Scene 11

11B-2 (VFX)

ID 8748

In order to reverse orbit, as well as slowdown, the ship decelerates while thrusting sideways. It’s a hard burn — nearly as hard as the deceleration burn from Colony One.

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Sequence 3

VFX

267

Scene 11

11B-3 (VFX)

ID 8749

The blue glow diminishes as the ship dives toward Proxima B.

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Sequence 3

VFX

268

Scene 11

11B-4 (VFX)

ID 8750

In the distance, the red dwarf disappears behind the planet.

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Sequence 3

269

Scene 12

12A

ID 5115

INT. AEROFOX, COCKPIT

The cockpit goes dark with the exception of internal lights.

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Sequence 3

Sequence 3

271

Scene 12

12C–10Yy

ID 5117

CLARKE: “We’ll stay in the planet’s shadow until it passes.”

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Sequence 3

Sequence 3

273

Scene 12

12F (ID5121 Close)

ID 5121

Clarke checks her instruments and shudders uncomfortably.

CLARKE: “God…”

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Sequence 3

Sequence 3

Sequence 3

VFX

276

Scene 12

12A-2 (VFX)

ID 8762

[The AeroFox continues its orbit in the darkness.]

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Sequence 3

Sequence 3

VFX

278

Scene 12

12A-1 (VFX)

ID 5119

EXT – The dark side of Persephone is like a huge black hole in space, obscuring the bright band of the Milky Way beyond.

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Sequence 3

VFX

279

Scene 13

13A-1 (VFX)

ID 5124

EXT. AEROFOX

[The AeroFox moves toward camera.]

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Sequence 3

VFX

280

Scene 13

13A-2 (VFX)

ID 8772

Thrusters fire. In the distance, the twin stars of Alpha Centauri A and B rotate into view opposite the ebony planet.

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Sequence 3

VFX

281

Scene 13

13A-3 (VFX)

ID 8773

[Opposite thrusters on the AeroFox stop the turn.]

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Sequence 3

Sequence 3

283

Scene 14

14C

ID 5139

INT. AEROFOX, COCKPIT

Clarke moves her controller to rotate the ship. The view shifts.

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Sequence 3

Sequence 3

Sequence 3

286

Scene 14

14E–12H

ID 5141

NIVEN: “Yeah. Lightning. Perpetual storms caused by the temperature variance on the day-night line.”

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Sequence 3

287

Scene 14

14F

ID 5142

Baxter bristles at an undisclosed memory.

BAXTER: “That’s nothing compared to what it was like when we left Earth.”

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Sequence 3

288

Scene 14

14H–12A

ID 5150

[Niven and Clarke exchange a look as they observe the maelstrom below.]

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Sequence 3

VFX

289

Scene 15

15A (VFX)

ID 5155

EXT. PERSEPHONE, ORBIT – LATER

The red-orange light of Proxima Centauri grows on the horizon as the AeroFox leaves the night side of the planet. The song “It Keeps You Running” by the Doobie Brothers can be heard playing over the orbital vista.

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Sequence 3

VFX

290

Scene 15

15B-1 (VFX)

ID 8784

OMNI (V.O.): “All clear. Radiation normal.”

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Sequence 3

VFX

291

Scene 15

15B-2 (VFX)

ID 8786

The AeroFox fires thrusters and flips into a new orientation.

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Sequence 3

VFX

292

Scene 15

15B-3 (VFX)

ID 8787

[Thrusters on the AeroFox fire to stop the rotation.]

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Sequence 3

Sequence 3

Sequence 3

295

Scene 16

16C

ID 5159

INT. AEROFOX, COCKPIT

The cabin — now filled with funky bass tones — is illuminated by the auburn light of Proxima Centauri.

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Sequence 3

296

Scene 16

16B

ID 5177

An irritable Baxter reviews computer files on the shield problem.

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Sequence 3

297

Scene 16

16C

ID 5213

[Baxter taps on the keyboard as graphics and data move on her monitors.]

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Sequence 3

298

Scene 16

16E-Close

ID 5162

CLARKE: “When I said you could play music, I didn’t mean classical. Where do you even find this stuff?”

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Sequence 3

299

Scene 16

16D

ID 5212

Niven floats at the SCIENCE STATION in the lower section of the craft. He stares into the viewing hood of a telescope.

NIVEN: “In the archives. Some of us actually study Earth history.”

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Sequence 3

300

Scene 16

16D

ID 36393

NIVEN: “The good news is… I made a special playlist just for this mission. You’re gonna love it!”

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Sequence 3

301

Scene 16

16C

ID 36389

Baxter is staying out of it; Clarke rolls her eyes.

CLARKE: “Great.”

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Sequence 3

302

Scene 16

16A

ID 5157

NIVEN: (looking up) “Ms. Baxter, wanna see something?”

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Sequence 3

Sequence 3

Sequence 3

305

Scene 16

16B-2

ID 30646

Baxter’s chair lowers and she unbuckles reluctantly.

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Sequence 3

306

Scene 16

16D-2

ID 30652

As she drifts down, she grabs a nearby handle before knocking into the wall.

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Sequence 3

Sequence 3

308

Scene 16

16F

ID 5169

Baxter grabs the viewing hood and squints into it. Niven observes.

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Sequence 3

309

Scene 16

16F-Close–Niven

ID 5174

NIVEN: “I’ve wanted to view them up close since I was a kid.”

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Sequence 3

310

Scene 16

ID5180A-261-16H

ID 5178

[He crosses to the left side of the science station.]

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Sequence 3

Sequence 3

312

Scene 16

16H

ID 5180

An excited Niven smiles and flicks a couple of switches. The sunward-face of Persephone pops up on screens throughout the craft.

NIVEN: “The geoglyphs.”

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Sequence 3

313

Scene 16

ID

ID 30666

[The same image appears’s on Clarke’s monitor.]

The brownish-gray planet is crisscrossed with a series of dark, straight lines. They stand out against the arid landscape. Some areas are less prominent than others.

CLARKE: “Ugh…”

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Sequence 3

Sequence 3

Sequence 3

316

Scene 16

16J–

ID 5181

Niven ignores her, straining at the image.

NIVEN: “They look different. Shriveled up.”

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Sequence 3

317

Scene 16

16K

ID 5187

Baxter is amazed, looking back and forth between Niven and the images of the geoglyph.

BAXTER: “Wow. You really have studied them.”

NIVEN: “Enough to know they’ve changed since the old probe images. I want to know why.”

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Sequence 3

318

Scene 16

16L

ID 5192

CLARKE: (scoffing) “As long as there’s enough of that stuff for us to build a civilization, who cares?”

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Sequence 3

319

Scene 16

16M

ID 5193

Niven points at the screen angrily.

NIVEN: “We should! Jesus, Darcy. Can we do a little science before you go digging up the place?”

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Sequence 3

320

Scene 16

16L 1

ID 5194

CLARKE: (facetious) “Sure! Snap a few geo-scans for me? That’s science, right?”

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Sequence 3

321

Scene 16

16M-Close

ID 5195

NIVEN: “Those patterns are more than just mineral deposits!”

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Sequence 3

Sequence 3

323

Scene 16

16P

ID 5197

[Niven floats up toward the large monitor as he turns his head to address Baxter.]

NIVEN: “Signs of extraterrestrial life.”

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Sequence 3

324

Scene 16

16N 1

ID 5199

Baxter backs away from the console.

BAXTER: “Come on…”

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Sequence 3

325

Scene 16

16Q

ID 5205

Niven toggles the telescope instruments, zooming in.

NIVEN: “Seriously! They’re perfect. There for eons. Next to huge volcanoes. And, somehow completely free of ash! What could cause that?”

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Sequence 3

326

Scene 16

16R-Close

ID 5210

A panel on the wall lights up as Omni joins the discussion.

OMNI: “The initial landers indicated they were statically-charged mineral deposits.”

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Sequence 3

Sequence 3

Sequence 3

329

Scene 16

16S 1

ID 5214

BAXTER: “Hmmm… It is a tidally-locked exo-planet orbiting a dwarf star. Who knows how gravitational forces might shape its surface?”

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Sequence 3

330

Scene 16

16S 2

ID 5218

NIVEN: (increasingly livid) “You can’t tell me you don’t see massive alien art down there!”

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Sequence 3

331

Scene 16

16T

ID 5217

BAXTER: “Who made it? There’s nothing alive on Proxima B, except the algae we seeded.”

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Sequence 3

332

Scene 16

16K 1

ID 5198

[Baxter uses the bars on the station to cross to her seat.]

BAXTER: “No one’s ever lived there.”

NIVEN: (reaching) “I didn’t say anyone lived there.”

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Sequence 3

333

Scene 16

16R-Wide

ID 5230

NIVEN: “Maybe someone… stopped by and… I don’t know… Just did it.”

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Sequence 3

334

Scene 16

16U

ID 5231

An amused Baxter returns to her seat.

BAXTER: “Sure. Makes total sense.”

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Sequence 3

335

Scene 16

16W–Niven-POV

ID 5235

CLARKE: “Yeah, Kyle. It was aliens.”

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Sequence 3

336

Scene 16

16X

ID 5243

A disappointed Niven gives up. He taps a button to shut off the telescope feed, and heads back to his seat.

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Sequence 3

Sequence 3

VFX

338

Scene 17

17A-1 (VFX)

ID 5246

EXT. PERSEPHONE, ORBIT

[The AeroFox moves to screen left.]

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Sequence 3

VFX

339

Scene 17

17A-2 (VFX)

ID 8803

[The AeroFox passes in front of the Milky Way.]

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Sequence 3

VFX

340

Scene 17

17B (VFX)

ID 5247

The AeroFox cruises above the geoglyphs. The network of giant rocky veins loosely resembles geometrically-shaped neurons.

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Sequence 3

Next Sequence