259
Scene 11
11A-1 (VFX)
ID 23382
EXT. PERSEPHONE, ORBIT
[The camera follows the AeroFox.]
EXT. PERSEPHONE, ORBIT
[The camera follows the AeroFox.]
[The AeroFox passes in front of the red dwarf.]
[The AeroFox continues to screen right.]
In the distance, a bright SOLAR FLARE blasts toward the AeroFox!
[Clarke prepare to fire the main engine.]
[Close-up on Clarke’s right hand as she presses the button to engage.]
The AeroFox fires its main engine again.
In order to reverse orbit, as well as slowdown, the ship decelerates while thrusting sideways. It’s a hard burn — nearly as hard as the deceleration burn from Colony One.
The blue glow diminishes as the ship dives toward Proxima B.
In the distance, the red dwarf disappears behind the planet.
INT. AEROFOX, COCKPIT
The cockpit goes dark with the exception of internal lights.
[Close-up on Niven.]
CLARKE: “We’ll stay in the planet’s shadow until it passes.”
BAXTER: “Nice.”
Clarke checks her instruments and shudders uncomfortably.
CLARKE: “God…”
NIVEN: “What?”
CLARKE: “I’ve never seen anything so black.”
[The AeroFox continues its orbit in the darkness.]
[Close on the AeroFox.]
EXT – The dark side of Persephone is like a huge black hole in space, obscuring the bright band of the Milky Way beyond.
EXT. AEROFOX
[The AeroFox moves toward camera.]
Thrusters fire. In the distance, the twin stars of Alpha Centauri A and B rotate into view opposite the ebony planet.
[Opposite thrusters on the AeroFox stop the turn.]
[The ship passes under camera.]
INT. AEROFOX, COCKPIT
Clarke moves her controller to rotate the ship. The view shifts.
CLARKE: “And, look at that.”
Clarke notices flashing on the edge of the planet.
NIVEN: “Yeah. Lightning. Perpetual storms caused by the temperature variance on the day-night line.”
Baxter bristles at an undisclosed memory.
BAXTER: “That’s nothing compared to what it was like when we left Earth.”
[Niven and Clarke exchange a look as they observe the maelstrom below.]
EXT. PERSEPHONE, ORBIT – LATER
The red-orange light of Proxima Centauri grows on the horizon as the AeroFox leaves the night side of the planet. The song “It Keeps You Running” by the Doobie Brothers can be heard playing over the orbital vista.
OMNI (V.O.): “All clear. Radiation normal.”
The AeroFox fires thrusters and flips into a new orientation.
[Thrusters on the AeroFox fire to stop the rotation.]
[The AeroFox moves toward camera.]
[The AeroFox continues under camera.]
INT. AEROFOX, COCKPIT
The cabin — now filled with funky bass tones — is illuminated by the auburn light of Proxima Centauri.
An irritable Baxter reviews computer files on the shield problem.
[Baxter taps on the keyboard as graphics and data move on her monitors.]
CLARKE: “When I said you could play music, I didn’t mean classical. Where do you even find this stuff?”
Niven floats at the SCIENCE STATION in the lower section of the craft. He stares into the viewing hood of a telescope.
NIVEN: “In the archives. Some of us actually study Earth history.”
NIVEN: “The good news is… I made a special playlist just for this mission. You’re gonna love it!”
Baxter is staying out of it; Clarke rolls her eyes.
CLARKE: “Great.”
NIVEN: (looking up) “Ms. Baxter, wanna see something?”
BAXTER: “Down there?”
NIVEN: “I promise it’s worth it.”
Baxter’s chair lowers and she unbuckles reluctantly.
As she drifts down, she grabs a nearby handle before knocking into the wall.
Niven reaches up and pulls her to his side.
Baxter grabs the viewing hood and squints into it. Niven observes.
NIVEN: “I’ve wanted to view them up close since I was a kid.”
[He crosses to the left side of the science station.]
CLARKE: “What are you talking about?!”
An excited Niven smiles and flicks a couple of switches. The sunward-face of Persephone pops up on screens throughout the craft.
NIVEN: “The geoglyphs.”
[The same image appears’s on Clarke’s monitor.]
The brownish-gray planet is crisscrossed with a series of dark, straight lines. They stand out against the arid landscape. Some areas are less prominent than others.
CLARKE: “Ugh…”
NIVEN: “The geoglyphs.”
CLARKE: “…Those again.”
Niven ignores her, straining at the image.
NIVEN: “They look different. Shriveled up.”
Baxter is amazed, looking back and forth between Niven and the images of the geoglyph.
BAXTER: “Wow. You really have studied them.”
NIVEN: “Enough to know they’ve changed since the old probe images. I want to know why.”
CLARKE: (scoffing) “As long as there’s enough of that stuff for us to build a civilization, who cares?”
Niven points at the screen angrily.
NIVEN: “We should! Jesus, Darcy. Can we do a little science before you go digging up the place?”
CLARKE: (facetious) “Sure! Snap a few geo-scans for me? That’s science, right?”
NIVEN: “Those patterns are more than just mineral deposits!”
BAXTER: “And, what do you think they are?”
[Niven floats up toward the large monitor as he turns his head to address Baxter.]
NIVEN: “Signs of extraterrestrial life.”
Baxter backs away from the console.
BAXTER: “Come on…”
Niven toggles the telescope instruments, zooming in.
NIVEN: “Seriously! They’re perfect. There for eons. Next to huge volcanoes. And, somehow completely free of ash! What could cause that?”
A panel on the wall lights up as Omni joins the discussion.
OMNI: “The initial landers indicated they were statically-charged mineral deposits.”
OMNI: “Hence, the lack of dust.”
CLARKE: “Exactly. Thank you, Omni.”
BAXTER: “Hmmm… It is a tidally-locked exo-planet orbiting a dwarf star. Who knows how gravitational forces might shape its surface?”
NIVEN: (increasingly livid) “You can’t tell me you don’t see massive alien art down there!”
BAXTER: “Who made it? There’s nothing alive on Proxima B, except the algae we seeded.”
[Baxter uses the bars on the station to cross to her seat.]
BAXTER: “No one’s ever lived there.”
NIVEN: (reaching) “I didn’t say anyone lived there.”
NIVEN: “Maybe someone… stopped by and… I don’t know… Just did it.”
An amused Baxter returns to her seat.
BAXTER: “Sure. Makes total sense.”
CLARKE: “Yeah, Kyle. It was aliens.”
A disappointed Niven gives up. He taps a button to shut off the telescope feed, and heads back to his seat.
[Niven floats toward his seat.]
EXT. PERSEPHONE, ORBIT
[The AeroFox moves to screen left.]
[The AeroFox passes in front of the Milky Way.]
The AeroFox cruises above the geoglyphs. The network of giant rocky veins loosely resembles geometrically-shaped neurons.